ok so, for the last few hours i’ve been making this code that organizes the colors in drawings:
(mostly @metukika’s bc her works look really dope and i don’t have many like that ;_;)
and these things feel like something that would be sold as a “deconstruction of classical paintings” like the “the kiss” by Klimt, “starry night” by Van Gogh or “Girl with a pearl earing” by vermeer
i can imagine going to an art gallery and finding stuff like this, made by someone who thinks they are so so smart
Ok but this is actually phenomenally cool OP, and a terrific tool for explaining some of the weirder aspects of color theory, especially how to translate color from traditional media to digital.
I’m working on the teaching plan for a digital painting class I’m going to pitch to my illustration school, and I was wondering if you had something I could use to show this concept to the class? (In exchange for full credit and money of course)
At a previous job (removing invasive carp from the Mississippi river) we would get lots of bycatch. While most native species could just be tossed back in the water and do just fine, paddlefish are a lot more Fragile and really don’t do good when out of the water. To help them, we would pull them through the water to force it over their gills and give them a jump start. The best place to grab them is by the rostrum. It’s all very scientific, but I couldn’t help but feel funny grabbing these goobers by the schnozz taking them for a ride
